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  • ACCTA 2013
  • Digital release of three soundtrack albums

    http://www.urbancinefile.com.au/home/view.asp?a=20275&s=News_files

    27/2/2014: SKUBISZEWSKI SCORES DIGITAL RELEASE

    BFM Digital (US) has released digitally three of Australian screen composer Cezary Skubiszewski’s scores, including that of the AFI Award winning La Spagnola (2001), which has never been previously released.

    Lilian's Story (directed by Jerzy Domaradzki, produced by Marian MacGowan) and The Sound of One Hand Clapping (directed by Richard Flanagan, produced by Rolf de Heer) were released on CDs in late 90s.

    The La Spagnola soundtrack was released by BFM on February 25, 2014 and the two others on February 19 2014. Director Richard Flanagan says of his score to One Hand Clapping: "The music Cezary composed is so utterly remarkable, that the only response is humility. Whatever the failings of the film, his music is not one of them. It is a triumph."

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    Screen Music Awards 2013 - Best Music for a Mini- Series or Telemovie -The Mystery of a Hansom Cab 

    Cezary with Andrew Hansen and Chris Taylor (photo Cynthia Sciberras)

    http://www.apra-amcos.com.au/2013ScreenMusicAwards/winners.html

  • The Broken Shore - The Age Review

    'It's a three on the coma scale,'' says a paramedic wheeling out an elderly victim of an attack. ''And that's out of three, not 10.'' The Broken Shore (ABC1, Sunday, 8.30pm) is full of such lines, in which the end twists the beginning, and the humour leaves twinges of pain. If you have already had your fill of reality television, this terrific, involved mystery is the antidote.

    Investigating the crime, under duress at first, is Detective Joe Cashin (Don Hany), a former Melbourne homicide detective who has the limp, the spooky memories, the bottle of pills and the laconic manner that suggest his last job in the big smoke ended badly. These are the standard elements of a police procedural, but it is what this telemovie does with them that impresses.

    In the small coastal town of Port Munro, Joe knows everyone. ''How's your nanna?'' he says to one teenager he picks up, and at first you think this knowledge is his strength, but it is as much a weakness. Joe knows enough to know that he does not know what he needs: every time he looks out to sea he sees the floating body of his late father.

    The coastline is sparse, muscular and brooding, as is Hany, who is one of those annoying genetic bingo winners who is ridiculously good looking and talented to boot. Thankfully Claudia Karvan is present, as neighbour and former infatuation Helen, to draw out the recalcitrant Joe.

    Indeed, the cast is ludicrously impressive - tip of the hat to Robyn Nevin, Tony Briggs, Anthony Hayes and more - and they make the most of Andrew Knight's adaptation of Peter Temple's 2005 crime novel. Knight also oversaw the Jack Irish TV movies, but this unfolding conspiracy, which takes 0in race relations, institutional corruption and the stains of the past, runs darker and deeper.

    The director is Rowan Woods, who made one of the great Australian films, The Boys, and he leaves his mark on the material, which has a tragic timeliness to it. Most everyone and their environs in The Broken Shore is haunted. It's a nine, and that is out of 10.